Archive for the 'audio tracks' Category

May 16 2008

The Meditative Madness of Winter

Published by under Ain Soph Aur,audio tracks,Video

Ain Soph Aur performed at {open} on May 15, 2008 as part of their 3rd Thursday series. Joining us for our set was 15 year old Nial Morgan (Deer Tear).

Hear a board recording of the performance, or view two 10 minute video excerpts.

[Please note that the audio quality of the videos is greatly diminished due to YouTube’s proprietary compression system.]

Part 1:

Part 2:

One response so far

May 04 2008

Ain Soph Aur: The Quality of Volition (Excerpt)

Published by under Ain Soph Aur,audio tracks,Video

On April 5th 2008, Ain Soph Aur performed at Zero Point Space as part of Thee Dung Mummy 5th Anniversary Experimental Music Festival. In keeping with the organic fluidity of the group’s performance philosophy we, at the last minute, included a third artist in our performance. The artist known as ‘Catastrophic Mermaids on Parade’ joined us.

Here’s a flyer I made for the show:

I am offering up a room recording of our performance, which I decided to call “The Quality of Volition.” It is actually an excerpt, but a fairly long one. (About 15 minutes) The entire performance was about 25 minutes long.

The Quality of Volition

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Apr 11 2008

The Poem Will Save You: A conversation with Raindog

Raindog Armstrong is a poet, publisher, and pied piper for poetry. With his Lummox Press, he published the Lummox Journal as a monthly magazine, which showcased artists from around the country, and around the world. Publishing both poetry and in-depth interviews, the Journal has now moved onto the internet. This has freed him, at last, to publish the first of several volumes of his own work, the first of which is called Fire & Rain. It reaches back to some of his earliest work, and spans nearly 15 years of creativity.

Raindog joined me for a free wheeling, and wide ranging, conversation that includes three poetry recitations, discussions of 9/11, and his past and future musical efforts. It is 50 minutes of honest talk with one of our fair City’s creative icons.

If you can’t commit to listening to an hour-long conversation, you can hear all three of his poems:

Pinto

Traveling Man (an homage to Charles Kuralt)

The Poem Will Save You

Also, you can see a brief video of Raindog reciting Eyes Like Mingus:

5 responses so far

Mar 15 2008

Live Looping: Old-School Style

Published by under audio tracks

Many years ago, back in the mid 90s, I worked for a local radio station. I did a variety of things but, occasionally, I pulled a weekend shift where I was basically playing pre-recorded shows on open reel tape, or dat. In one of the small production studios they had two Studer 1/4″ 2 track open reel tape machines and, in a fit of creativity spurred by boredom, I hooked them into a ‘Frippertronics’ set-up.

The machine on the left would have a reel of tape on the left spool which would run over it’s heads, then across to the right (take-up) spool of the 2nd machine. The playback of the machine on the right would be fed back into the machine on the left, along with whatever new sound was added, and the whole thing would repeat, and slowly fade out. The speed of the repeats was a function of the tape speed and the distance between the two machines.

Here’s a lame graphic I created to illustrate the process:

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Mar 04 2008

Found Sound Drum Track

Published by under audio tracks,Instrumental

I’m working on a documentary about a friend who is an artist. Amongst the many things she does, she’s been given a fellowship at a local art center where they have a rather extensive printmaking studio. She’s been working there for months, making prints from cardboard packaging, paper bags, etc. In the process of filming her there, I noticed that the space had an interesting acoustical environment, and that many of the machines and other equipment could make interesting sounds. I went there a few weeks back and recorded a whole bunch of different sounds, took them home, chopped them into small segments, and created a piece of music from them.

This is just a rough draft, sort of playing with the various elements, just to get a feel for them. This is, by no means, a final product.

Also, it may be helpful to know that, aside from the parsing of the various sounds, and some basic effects like reverb and delay, the original source sounds have been unaltered.

The tune starts with a metal drawer closing. The ‘kick drum’ sound is a silk screen. There are sounds from springs, a metal sink, a drying rack, an ink roller, etc.

Here’s the link

Please feel free to let me know what you think!

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Feb 25 2008

Ain Soph Aur

Ain Soph Aur (A Live Video Excerpt)

Before the gig:

During my many years as a musician, I’ve performed in a variety of contexts. In 6th grade, for example, I sang a solo in Hebrew as part of The Chitchester Psalms, a piece for chorus and organ, written by Leonard Bernstein. In rehearsals, the feeling of singing with so many voices was thrilling and euphoric. I felt myself open up in a way I’d never experienced before.

The night of the performance, I was filled with confidence. I remember walking out onto the stage in my new electric blue wide-wale corduroy pants, feeling the enthusiasm and support of the musicians behind me. The choir director remembered that the translated words were in the program and asked that the house lights be brought up so the audience could read along.

All of a sudden, hundreds of people emerged from the darkness and, much to my surprise, they were staring at me. In an instant, all that joy and confidence evaporated and, in its place, arose a new feeling: Terror. The music began, and I felt a bit heartened but, as my moment to sing approached, my body felt like it was going to split in two.

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Feb 20 2008

A wee tune featuring bowed psaltery

Some time ago I acquired a hand-made custom bowed psaltery. Recently, I recorded

      a wee tune
with it. The tracks were recorded in Cubase SX3, and all the processing was done on the computer. I recorded the psaltery part first then, using an old Brian Eno trick, reversed the track so that it was playing backward, and recorded delay with it. The original track, with the delay, were then both re-reversed so that the original track is now playing forward, but the delay is reversed, fading in rather than fading out. All this was then run through the same delay so it has delay coming and going. I then added the two guitar parts.

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Sep 17 2007

Phone Messages

Published by under audio tracks,Family,Sound

As I plough through the detritus of my life I occationally find tidbits, fragments, glimpses of times and places past, long forgotten connections, meaningful references, etc. No better example of this are phone messages. I remember feeling the need to get an answering machine at some point, mostly because 1) I was looking for a job and, 2) my friends all complained bitterly that they could never reach me, the elusive social butterfly that I was. Still, I don’t think the answering machine ever really solved any problems, and caused a few of its own.

I was living on 4th Street, just across from Chipper’s Corner (now the Pike) at Hermosa. I’d been working for Kinko’s but, at some point in this period, I lost my job. It took some time, but I eventually moved out of the apartment and back in with my mom, and started working for KLON.

Featured on the recording are Brian Hancock, Brian Nelson, Joanie Karnowski, Camille Smith, my roommate Jim Theibert, Larry Miller, Mike Dubois, Andrea Adkins, Rychard Cooper, Bebe Wolff, Marvin Wolff, and a few others. I am pretty sure that phone numbers from more than 20 years ago have no modern relevency.

      Listen To The Messages
– [this is a large 13MB file, so it may take a while to download]

2 responses so far

Jul 24 2007

New Sandblaster Demo Track: This Eden

As you may know, some years ago I undertook the rather ambitious task of creating a custom guitar. It was an educational experience, fraught with unique challenges but, ultimately, rewarding. A friend pointed out that I’d not recorded an example of its various sounds and whatnot, so I did.

I’m including three links here. The first is

      an early attempt
, with a total of 6 tracks. Please be forewarned that the lead is a bit wooly. I hope to improve upon it with some practice. In this early version there are very few effects (some delay and reverb, and gain on the lead).

In

      the 2nd version
, I added 6 additional tracks. Three are individual notes in a chord, sustained by a device called an e-bow, and played at double speed. I also added a bass guitar part (the only track not played on the Sandblaster) and two one-note harmony tracks at the end of the solo.

I’m also including a very brief example of the

      e-bow tracks
, on their own, so you can get a better sense of them.

UPDATE:

A friend suggested that I add

      a spoken word element
to the piece.

After living with this first version for a while, I felt that a different reading of the words would work better. I also added some rather complex effects to the voice.

The result is

      This Eden - V2
.

Read the words.

2 responses so far

Jun 01 2007

Excerpt from Sound Project

Published by under Art,audio tracks,Sound

For quite some time now I’ve been collecting audio from various environments and, just recently, I’ve begun to edit and assemble them into what will eventually be a very large piece (60-80 minutes). I’ve posted a 10 minute segment that includes audio from 4 different recordings. I don’t know if you have a set of headphones that you can connect to your computer but, if so, I think you’ll enjoy the experience a bit more:

http://www.sanderis.com/audio/MD0507.mp3

Peace.

One response so far

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